Preliminary sketch for my next painting:
Initial design for 'Exeter Roundel' print:
Initial design for 'Homage to Gill' print:
There are several more prints in the making too,
just not ready to show yet!
Tuesday, 9 February 2016
Saturday, 16 January 2016
Photos for FabLab residency application
As my Rara website has inexplicably gone down, I'm posting my four application photos here for the board to view. Thankyou for considering my application.
1.
United Downs, Mine Bowl series, solid handturned walnut bowl with tin and resin inlay based on historical map of United Downs tin mine in Cornwall
2.
London Table, solid beech coffee table with inlaid pewter map of central London
3.
Unlocking Cornish Potential Awards Trophies, set of 6 solid walnut trophies inlaid around all four sides with a pewter map of Cornwall
4.
Seafood restaurant menus, tablemat and coaster set, solid reclaimed mahogany with pewter inlay based on flowing water
It's been a while...
Life is busy.
New work, new baby (!), a few exhibitions, some commissions, holidays and some experiments with digital technologies. Here's a selection of things for your perusal that I've been busying myself with over the last few years...
Grimspound, drypoint, mounted, unframed, £35
New work, new baby (!), a few exhibitions, some commissions, holidays and some experiments with digital technologies. Here's a selection of things for your perusal that I've been busying myself with over the last few years...
Sundial, solid windblown yew, pewter
Broad Barrow coffee table, private commission, stainless steel frame, etched glass
Grimspound and Scorhill occasional tables, solid sycamore, aluminium, charcoal, resin
Broad Barrow wall hook, solid bleached ash, charcoal, resin, £65
Solid oak floor tiles with pewter inlay
Broad Barrow, drypoint, mounted, unframed, £35
Shoveldown, drypoint, mounted, unframed, £35
We got married!
Wedding sign being routed before the inlay is fitted
Working on design for site-specific sculpture, George & Dragon
Inlay design for outdoor stone column
Installing stone column
Chilli Pepper Box, solid walnut box with pewter inlay, to match interior of client's yacht
Pine Needle tables, solid walnut, pewter, made to order, £400 ea.
Family trip to the Loire Valley
United Downs, Mine Bowl series, hand turned solid walnut, tin, resin
Wall Bench, solid sycamore, pewter
Annie, Ripper series, handprinted wallpaper
Audience participation, Partake exhibition, Old Truman Breweries, off Brick Lane
Crane Lamp, solid walnut, aluminium, resin, stainless steel, bakelite fittings, heritage flex
Olympic Vase, spun pewter, yew bands, produced in collaboration with Wentworth's Pewter
Our little Rafe arrived, very early, but safe and sound <3
Mylor, design for a sideboard, made to order, custom inlays available, prices from £1,600
Working on milled table design in Blender
Family trip to Bruges
Inconnue, painting, acrylic on board
Galvanize exhibition, Sheffield
Quaich design, visualisation by Matthew Abbot
Summer days in Penwith <3
Monday, 10 November 2014
Bronze Age Dartmoor - Etchings
The series of prints derived from the 5 Bronze Age sites on Dartmoor I chose to focus on are (I think) pretty much ready.
This one is 'Watern Oke', an unenclosed aggregated settlement overlooking the valley of the River Tavy. It comprises 60 hut circles, many complete with hearths and lintels.
When partially excavated in 1905 by the Dartmoor Exploration Committee, considerable quantities of charcoal were found together with cooking stones, pottery and flint artefacts. Interestingly, one Romano-British glass bead was also recovered, suggesting more than one period of occupation. Further stone hut circles probably survive in the area north of the monument, but are buried beneath peat and can't be identified.
When partially excavated in 1905 by the Dartmoor Exploration Committee, considerable quantities of charcoal were found together with cooking stones, pottery and flint artefacts. Interestingly, one Romano-British glass bead was also recovered, suggesting more than one period of occupation. Further stone hut circles probably survive in the area north of the monument, but are buried beneath peat and can't be identified.
This print is one of a series of drypoint etchings printed in water-based printers' inks on a small home etching press. So far I've pulled 10 prints from each plate, which isn't many. Not sure how large / small to make the run yet.
On a side note, I'm off to the local show and talk session for members of the Devon Guild of Craftsmen this evening, in Ann Bruford's fantastic-looking yurt. Maybe they will have some advice about an appropriate size of print run. Hoping for some positive feedback on the whole series too. Guess I should get into the kitchen now so I can endear myself with baked-goods!
Tuesday, 15 July 2014
A Rural Idyll - Etsy Summer Finds
A Rural Idyll
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